ACTION AGAINST CULTURAL IMPERIALISM CALLS ON YOU TO
FIGHT MUSICAL DECORATION OF FASCISM!
JOIN THE DEMONSTRATION AT THE WEST GERMAN COMPOSERS CONCERT,
TOWN HALL (43RD. STREET WEST OF SIXTH AVENUE), WEDNESDAY, APRIL 29, 8:00PM
In a lecture at Harvard in the fall of 1958, Stockhausen contemptuously dismissed "jazz" as "primitive... barbaric... beat and a few single chords...", and in effect said it was garbage.
By the time he made that dscist-like attack on Afro-American music, Stockhausen was a well-known symbol of contempt and disdain for every kind of workers', farmers', or non-European music, whether the music of Black Americans, East European peasants, Indians, or even most of the music that West Germans workers themselves like. All of the West German composers on tonight's program share this contempt; Stockhausen is their most significant representative.
"ONLY MY MUSIC EXISTS"
Stockhausen's magazine, as well as his lectures, have decreed over and over that the one True Music is European Serious Music. They have decreed over and over that today music must obey the "scientific" Laws of Music, discovered by Stockhausen - or else it does not exist. ( That is, you must compose passage work (Zeitmasse), a concerto grosso (Gruppen), "Dance of the Sugarplum Fairy" (Gesang), a Mahler Symphony (Carre), or some such. ) In other words, the music of Japan, India, Africa, or in the U.S., R&B or hillbilly music, does not exist! And Stockhausen's reason: because it is not composed, or is not made up of pitches, etc. etc. (Die Reihe 4, the first essay, sums up the doctrine of Stockhausen's claque.).
STOCKHAUSEN'S DECREES SERVE NEO-NAZISM
Why does Stockhausen NEED to vilify every kind of toiler's music, to limit True Music to the European owning classes, to invent "scientific" Laws which require all music to start from the premesis if 19th.- century European Serious Music? And mainly to carry on fascist vilification of the Black peoples' music as "low and primitive"? Because Stockhausen's music is composed to serve the West German bosses. Stockhausen is a lackey of the West German bosses and their government, just as Haydn was of the Esterhazys. His patronage comes mainly from the government-owned Cologne Radio. _______Like all court music, Stockhausen's Music is of course a decoration for the West German bosses. But more than that, it is ideology, capitalist, fascist ideology. Stockhausen's repeated decrees about the lowness of plebian music and the racial inferiority of non-European music, are an integral, essential part of his Art and its "appreciation". Stockhausen's Music is West German fascist ideology.
THE BOSSES HAIL STOCKHAUSEN
Of course, some conservative, philistine elements among the bosses have opposed Stockhausen as "too modern". But this kind of opposition to Stockhausen is rapidly melting away as the bosses of West Europe and America realize that Stockhausen is one of the best salesmen they're going to get. The West German government, which is in the hands of the bosses there, patronizes Stockhausen and brings him here tonight. Already more than a few U.S. millionaires have begun to spoort Stockhausen. and because of the power of the West German and U.S. bosses, this Musical style is imposed on all weaker nations of the "Free World".
FIGHT FASCIST MUSICAL THOUGHT!
STOCKHAUSEN GET OUT! _______________TOO MANY LIKE YOU HERE ALREADY!
Action Against Cultural Imperialism
359 Canal Street, New York, N. Y. 10013.
Above copied from: http://www.artnotart.com/fluxus/hflynt-fightmusicaldecor.html