Thursday, January 3, 2008

A Fluxus Bibliography, Ken Friedman and Owen Smith

About this Bibliography

There are several ways to present a bibliography of information on Fluxus. Every presentation requires a different organizing principle and the lists grow all the time. For this reason, the most flexible way to present a general bibliography is to organize it chronologically by year, and to present entries alphabetically within each year.

To the degree that it is possible, the format style is consistent. There are always matters of judgment, such as deciding when to list an exhibition catalogue as a book by the name of the editor or author, and when to treat it as a document cited by title. Others might choose to organize the data in a different way.

Any complete bibliography on Fluxus and Fluxus artists would run to hundreds of pages of small print. This means that any selection will always fall short. We have tried to include a broad overview of articles, books, and catalogues. Because it is easier for readers to locate recent publications than those from the past, the bibliography becomes more comprehensive as it moves toward the present.

We avoid abbreviations that are common in one culture and not clear in others. We also try to make dates clear and use written abbreviations for volume (vol.) and number (no.) rather than introducing the ambiguity of short systems.

Special thanks to Hoseon Cheon, Dick Higgins, Matthew Hogan, James Lewes and Jean Sellem for their contributions earlier editions of this bibliography.





A Bibliography of Bibliographies

ARTbibliographies Modern. [Bibliographic reference book published twice each year.]

Baerwaldt, Wayne. “A Very Selective Bibliography of Fluxus.” Under the Influence of Fluxus. Winnipeg, Canada: Plug In Inc., 1991, 62-63.

Bercht, Fatima and Paula Baxter. “References and Bibliographic Information.” Hendricks, Jon. Fluxus Codex. New York: Harry N. Abrams, Inc. 1989, 592-601.

Blom, Ina. “Selected Bibliography” The Intermedia Dynamic: An Aspect of Fluxus. Oslo, Norway: Institutt for Arkeologi, Kunsthistorie og Numismatikk, Universitet i Oslo, 1993, 214-222.

Doris, David. “Works Consulted.” Zen Vaudeville: A Medi(t)ation in the Margins of Fluxus. New York, New York: Department of Art History, Hunter College, 1993, 107-116.

Held, John Jr. Mail Art: an Annotated Bibliography. Metuchen, New Jersey and London: The Scarecrow Press, Inc., 1991.

Higgins, Dick. “A Very Selective Bibliography of Fluxus.” Lund Art Press, Vol. 1, No. 4, 1990: School of Architecture, University of Lund, 47-50.

Higgins, Dick, Jean Sellem, Ken Friedman and Hoseon Cheon. “A Fluxus Bibliography” in The S(e)oul of Fluxus. Edited by Hong Hee Kim-Cheon. Seoul, Korea: A. International, Ltd., 1993, 128-131.

Hogan, Matthew. A Friedman Bibliography (Preliminary Compilation). New York: Franklin Furnace Archive, 1986.

Lewes, James. “Bibliographie” in Fluxus Virus, 1962-1992. Edited by Ken Friedman. Köln: Verlag Schüppenhauer, 1992, 356-383.

Martin, Henry. “Fluxers - Blibliographie.” in Fluxers. Bolzano, Italy: Museion - Museum of Modern Art, 1992, 158-160.

Moss, Karen and Joan Rothfuss. “Selected Bibliography” in In the Spirit of Fluxus. Edited by Janet Jenkins. Minneapolis, Minnesota: Walker Art Center, 1993, 185-188.

Smith, Owen. “Selected Bibliography” George Maciunas and a History of Fluxus (or) the Art Movement that Never Was. Seattle: University of Washington, 1991, 553-580.

Smith, Owen. Bibiography The Fluxus Reader. Chicester, West Sussex; New York: Academy Editions, 1998.

Smith, Owen. “Selected Bibliography” in Fluxus: The History of an Attitude. San Diego, CA: San Diego State University Press, 1998.




A Selected Bibliography of Fluxus

1961

Cage, John. Silence. Middletown, Connecticut: Wesleyan University Press.

Maciunas, George. Bread & AG. New York: AG Gallery, 1961.

Maciunas, George. Music Antiqua et Nova. New York: A G Gallery, 1961.

1962

Maciunas, George. News-Policy-Letter No. 1. Wiesbaden: Fluxus, 1962.

Maciunas, George. News-Policy-Letter No. 2. Wiesbaden: Fluxus, 1962.

Maciunas, George. News-Policy-Letter No. 3. Wiesbaden: Fluxus, 1962.

Maciunas, George. Fluxus Newsletter No. 4, Wiesbaden, Fluxus 1962.

1963

Maciunas, George. Fluxus News Letter No. 5, Ehlhalten: Fluxus, 1963.

Maciunas, George. Fluxus News-Policy Letter No. 6, Ehlhalten: Fluxus, 1963.

Maciunas, George. Fluxus News Letter No. 7, Ehlhalten: Fluxus, 1963.

Maciunas, George, ed. Fluxus Review Preview. Wiesbaden: Fluxus, 1963.

Poesie Etcetera Americaine. Emmett Williams, ed. Paris: Centre Americain, 1963.

Young, La Monte, ed. An Anthology. New York: Jackson Mac Low and La Monte Young, 1963.

1964

Brecht, George. Water Yam. New York: Fluxus, 1964.

Higgins, Dick. Jefferson’s Birthday/Postface. New York: Something Else Press, 1964.

Johnson, Jill. “Fluxus Fluxus.” Village Voice, July 2, 1964, 7.

1965

Corner, Philip, Alison Knowles, Benjamin Patterson and Tomas Schmit. The Four Suits. New York: Something Else Press, 1965.

Filliou, Robert. Ample Food for Stupid Thought. New York: Something Else Press, 1965.

Flynt, Henry. Communists Must Give Revolutionary Leadership in Culture. New York: World View Publisher, 1965.

Hansen, Al. A Primer of Happenings and Time/Space Art. New York: Something Else Press, 1965.

Johnson, Ray. The Paper Snake. New York: Something Else Press, 1965.

Knowles, Alison. By Alison Knowles. A Great Bear Pamphlet. New York: Something Else Press, 1965.

Maciunas, George, ed. Fluxus Vacuum TRapEzoid. New York: Fluxus, 1965.

Maciunas, George, ed. Fluxus Vaudeville TouRnamEnt. New York: Fluxus, 1965.

TDR 10 (Winter 1965). [special magazine issue devoted to happenings and intermedia-related performance, including Fluxus]


1966

Berner, Jeff, ed. Astronauts of Inner Space. San Francisco: Stolen Paper Editions, 1966.

Brecht, George. Chance Imagery. A Great Bear Pamphlet. New York: Something Else Press, 1966.

Higgins, Dick and Emmett Williams, eds. Manifestos. A Great Bear Pamphlet. New York: Something Else Press, 1966.

Klintberg, Bengt af. Stockholmsspelet. Stockholm: Norstedt & Söner, 1966.

Mac Low. Jackson. The Twin Plays. Great Bear Pamphlets. New York: Something Else Press, 1966.

Maciunas, Geoge, ed. Film Culture, no. 43. (Expanded Arts issue) [special magazine issue devoted to intermedia and Fluxus]

Maciunas, George. Fluxfest Sale Sheet. New York: Fluxus, 1966.

Maciunas, George, ed. Fluxus Three Newspaper EVenTs for the PRicE of $1. New York: Fluxus, 1966.

Maciunas, George, ed. Fluxus Vaseline STReEt. New York: Fluxus, 1966.

Spoerri, Daniel. An Anecdoted Topography of Chance. Edited with annotations by Emmett Williams. New York: Something Else Press, 1966.

Vostell, Wolf. Berlin and Phenomena. Great Bear Pamphlet. New York: Something Else Press, 1966.


1967

Aktual Art International. Jeff Berner, ed. Stanford Art Book 8. Palo Alto, California: Department of Art and Architecture, Stanford University, 1967.

Brecht, George and Robert Filliou. Games at the Cedille, or the Cedille Takes Off. New York: Something Else Press, 1967.

Filliou, Robert. A Filliou Sampler. A Great Bear Pamphlet. New York: Something Else Press, 1967.

Hidalgo, Juan. A Zaj Sampler. A Great Bear Pamphlet. New York: Something Else Press, 1967.

Klintberg, Bengt af. The Cursive Scandinavian Salve. A Great Bear Pamphlet. New York: Something Else Press, 1967.

Maciunas, George. Fluxnewsletter, March 8, 1967. New York: Fluxus, 1967.

Manifestos. Great Bear Pamphlets. New York: Something Else Press, 1967.

Williams, Emmett, ed. An Anthology of Concrete Poetry. New York: Something Else Press, 1967.


1968

Becker, Jürgen and Wolf Vostell, eds. Happenings - Fluxus, Pop Art, Nouveau Réalisme. Hamburg: Rowohlt, 1968.

Bory, J.F., ed. Once Again. New York: New Directions, 1968.

Flynt, Henry. Down with Art. New York: Fluxus, 1968.

Higgins, Dick. Foew&ombwhnw: a grammar of the mind and a phenomenology of love and a science of the arts as seen by a stalker of the wild mushroom. New York: Something Else Press, 1968.

Kostelanetz, Richard. The Theater of Mixed Means. New York: The Dial Press, 1968.

Maciunas, George. Fluxnewsletter, January 31, 1968. New York: Fluxus, 1968.

Maciunas, George. Fluxnewsletter, December 2, 1968. New York: Fluxus, 1968.

Pedersen, Knud. Kampen mod borgermusikken. København (Denmark): Kunstbibliothekets Forlag, 1968.

Young, La Monte, ed. An Anthology. New York: Galerie Heiner Friedrich, 1968. [2nd edition]


1969

Cage, John, ed. Notations. New York: Something Else Press, 1969.

Partitury. Jiri Valoch. Brno, Czechoslovakia: Dum Umeni Mesta Brna, 1969.

Goetze, Jochen, Klaus Staeck and Friedrich Gerling, eds. Intermedia 1969. Heidelberg: Edition Tangente, 1969.

Higgins, Dick. Foew&ombwhnw. New York: Something Else Press, 1969.

Vautier, Ben, ed. Festival of Art, Non-Art and Anti-Art. Nice, France: Galerie Ben, 1969.


1970

Clair, Jean. Happening et Fluxus.” Chroniques de l’art vivant (Paris) 16 (December 1970-January 1971): 4-5.

Gribling, F. “Happenings -- Fluxus.” Museumjournaal (The Netherlands) no. 6 (15 December, 1970): 288-290.

Happening & Fluxus. Harald Szeemann and Hanns Sohm, eds. Köln: Kölner Kunstverein, 1970. [exhibition catalogue]

Kostelanetz, Richard, ed. John Cage. New York: Praeger Books, 1970.

“Happening et Fluxus.” Chroniques de l’art vivant (16 December, 1970).

Maciunas, George. Fluxnewsletter, january 8, 1970. New York: Fluxus, 1970.

Maciunas, George, ed. JOHN & YOKO FLUX. New York: Fluxus, 1970.

Ono, Yoko. Grapefruit. With an introduction by John Lennon. New York: Simon and Schuster, 1970.

Sammlung Feelisch. Wolfgang Feelisch, ed. Dortmund, West Germany:
Museum am Ostwall, 1970. [exhibition catalogue]

Vostell, Wolf. Happening & Leben. Neuwied, Germany: Leuchterhand, 1970.


1971

Art and Artists. (England) vol. 7, no. 7 (1971) “Free Fluxus Now.” [special magazine issue devoted to Fluxus]

Arte de Sistemas. Jorge Glusberg. Buenos Aires: Museo de Arte Moderno, 1971. [exhibition catalogue]

Bell, Michael, et al. “The House of Dust by Alison Knowles.” Experiments in Art and Technology: Los Angeles Survey no. 7 (January 1971): 8-11.

Filliou, Robert. “Research at the Stedelijk,” Art and Artists (London), vol. 6, no. 7 (November 1971), 32-33.

Friedman, Ken, ed. Art Folio. Boston: Religious Arts Guild, 1971.
[Religious Arts Guild “Circular/Packet: 2.”]

Friedman, Ken. Some Investigations. San Diego, 1971: self-published. [contains “Notes on Concept Art” and several other discussions that were xeroxed and widely circulated. Most of these discussions were later reprinted in The Aesthetics]

Knowles, Alison. Journal of the Identical Lunch. San Francisco: Nova Broadcast Press, 1971.

Mac Low, Jackson. Stanzas for Iris Lezak. Barton, Vermont: Something Else Press, 1971.

Poinsot, Jean-Marc, ed. Mail Art Communication: A Distance Concept. Paris: Editions CEDIC, 1971.

Septième Biennale de Paris. Georges Boudaille, et al., eds. Paris: Manifestation et Biennale Internationale des Jeunes Artistes, 1971. [exhibition catalogue]


1972

Albright, Thomas. “Correspondence.” Rolling Stone 107 (April 27, 1972): 28-29.

Albright, Thomas. “New Art School: Correspondence.” Rolling Stone 106 (April 13, 1972): 32.

B., Mats. Fluxus, Concept and Buren. Lund, Sweden: Art History Institute, University of Lund, 1972. [master’s thesis]

Beuys, Joseph. Joseph Beuys: Multiples. Munich: Edition Jörg Schellmann, 1972.

Fluxshoe. David Mayor, ed. Cullompton, England: Beau Geste Press, 1972. [exhibition catalogue]

“Free Fluxus Now.” Art and Artists (London), (Oct. 1972). [special magazine issue devoted to Fluxus]

Friedman, Ken. The Aesthetics. Regina, Sasketchewan, Canada: University of Saskatchewan, 1972.

Friedman, Ken, ed. An International Contact List of the Arts. Regina, Saskatchewan, Canada: Fluxus West and Image Bank, 1972.

Hören sehen: Texte, Bilder, Environments. Bremen: Kunsthalle Bremen, 1972. [exhibition catalogue]

I denti del drago: transformazioni della pagina e del libro. Daniela Palazolli. Milan: Edizione L’Uomo e L’Arte, 1972. [exhibition catalogue]

Kostelanetz, Richard, ed. Breakthrough Fictioneers. Barton, Vermont and Berlin, West Germany: Something Else Press, 1972.

Tot, Endre. Incomplete Information. Oldenburg, West Germany: I.A.C. Editions, 1972.


1973

De Gruson, F. “Allez, France!” Cles pour les Arts (Belgium), vol. 7, no. 11 (November 1975), 22-3.

“Fluxshoe England West.” Spanner, no. 3 (June 1975): 28-39.

Fluxshoe Add End A . David Mayor and Felipe Ehrenberg, eds. Cullompton, England: Beau Geste Press, 1973. [exhibition catalogue]

Friedman, Ken. The Aesthetics. Devon, England: Beau Geste Press, 1973.

Friedman, Ken. Events. Introduced by Jay Belloli. Davis, California: Nelson I.C. Gallery, University of California at Davis, 1973.

Friedman, Ken. “Flowing in Omaha.” Art and Artists (London), vol. 8, no. 9 (Issue no 89, Aug 1973): 6-9.

Friedman, Ken. “Fluxus.” Flash Art, no. 40 (Mar-May 1973): 3.

Glossary of Art, Architecture and Design since 1945. John A. Walker, ed. London and Hamden, Connecticut: Clive Bingley and Linnet Books, 1973.

Groh, Klaus, guest editor. Visuell-Konkrett International. (Und, issue 11/12) Gersthofen, West Germany: Maro Verlag, 1973. [special magazine issue devoted to concretism and intermedia]

Hendricks, Geoff. Ring Piece. Barton, Vermont: Something Else Press, 1973.

An International Cyclopedia of Plans and Occurrences. Davi Det Hompson. Richmond: Anderson Gallery, Virginia Commonwealth University, 1973. [exhibition catalogue]

Kocman, J.H., ed. Stamp Activity. Brno, Czechoslovakia: J.H. Kocman, 1973.

Lebeer, Irmelin. “George Brecht” Chroniques de l’Art Vivant, no. 39 (May 1973), 16-19. [interview]

Lippard, Lucy. Six Years: The Dematerialization of Art. New York: Praeger Publications, 1973.

Mottram, Eric. “Call It ‘Something Else.’ Dick Higgins in conversation with Eric Mottram.” Spanner, no. 9 (1973): 157-81.

Palazzoli, Daniela. “L’Avventura Fluxus.” Domus (Milan), no. 522 (May 1973), 49-51.

Pedersen, Knud. Der Kampf gegen die Burgermusik, tr. Ludwig Gosewitz. Köln: Michael Werner, 1973.

Robertson, Clive and Paul Woodrow. A Conceptographic Reading of Our World Thermometer. Calgary, Alberta: W.O.R.K.S., 1973.

Vautier, Ben. “George Brecht: conversation sur autre chose.” Art Press (France), No. 2 (February 1973), 26-29. [interview]

Zack, David. “An Authentik and Historical Discourse on the Phenomenon of Mail Art.” Art in America, vol. 66, no. 1 (Jan-Feb 1973): cover, 46-53.


1974

Alloway, Lawrence. “Seine trügerische Stille bedroht jeden, der von ihm nür die Uhrzeit wissen will.” Magazine Kunst, vol. 14, no. 3 (1974), 98-9.

Artists’ Stamps and Stamp Images. James W. Felter. Burnaby, British Columbia: Simon Fraser Gallery, Simon Fraser University, 1974. [exhibition catalogue]

Block, René, ed. Multiples: Ein Versuch die Entwicklung des Auflagenobjektes darzustellen/ An Attempt to Present the Development of the Object Edition. Berlin, Neuer Berliner Kunstverein, 1974. [exhibition catalogue]

“Der Löwe” Flash Art 48-49 (October-November 1974): 27.

Dictionary of Contemporary Music. John Vinton, ed. New York: E. Dutton, 1974. [biographical reference book]

Dreyfus, Charles. Fluxus: Elements d’information. Paris: Documents de l’art contemporain, Musee d’art moderne de la ville de Paris, 1974.

Fischer, Hervé, ed. Art et Communication Marginale. Paris: Editions Balland, 1974.

Focke, Walter, ed. Open Notices. Oldenburg, West Germany: I.A.C./Focke Editions, 1974.

Friedman, Ken and Stanley Lunetta, eds. International Sources (Source Magazine, vol. 6, no. 1, issue 11) Sacramento, California: Composer/Performer Editions, 1974. [special issue devoted to Fluxus and intermedia, also the cataliogue of the exhibition International Sources]

Groh, Klaus, ed. Baum. Oldenburg, West Germany: I.A.C./Focke Editions, 1974.

Henri, Adrian. Total Art: Happenings and Performance. new York: Praeger, 1974.

Lambert, J.C. Depassement de l’Art? Paris: Anthropos, 1974.

Marck, Jan van der. “George Brecht: an art of multiple implications.” Art in America, vol. 62, no. 4 (July-August 1974), 48-57.

Nam June Paik: Video and Videology. Syracuse, New York: Everson Museum of Art, 1974. [exhibition catalogue]

Nyman, Michael. Experimental Music: Cage and Beyond. London: Studio Vista, 1974.

Ohff, H. “Dick Higgins.” Kunstwerk, vol. 27, no. 1 (January 1974), 52.

Poinsot, Jean-Marc. Fluxus: un art de l’événement. Art Press (France) no. 15 (December 1974-January 1975), 14-17.

Ravicz, Marilyn Ekdahl. Aesthetic Anthropology: Theory and Analysis of Pop and Conceptual Art in America. Los Angeles: Department of Anthropology, University of California, 1974. [doctoral dissertation]

Theorie/Informatie/Praktijk. Roger D’Hondt. Ghent: Proka-Akademie, 1974. [exhibition catalogue]

Tousley, N. “Artists’ Books.” Print Collector’s Newsletter, vol. 4, no. 6 (January-February 1974), 131-4.


1975

Albright, Thomas. “Correspond’art.” La Honduras (Madrid) , vol. 1, no. 1 (Spring 1975): 1.

van Beveren, Peter and Jan Brand, eds. Stempelboek. Middelburg, Holland: Brummense Uitgeverij Van Luxe Wekjes, 1975.

Brindle, Reginald Smith. The New Music: the Avant-Garde since 1945. London: Oxford University Press, 1975.

Brown, Anthony. “The Composer’s Influence: Personality and Music Composition.” The Composer (Hamilton, Ohio), vol. 4, no. 16 (Winter 1975-1976): 39-41.

Crozier, Robin. Portrait of Robin Crozier. Sunderland, England: Ceolfrith Arts Centre, 1975.

Dunham, Judith. “All Xerox.” Artweek, vol. 7, no. 7 (14 February 1976), 3.

Focke, Walter, ed. Open Notices. Oldenburg, Germany: I.A.C./Focke Editions, 1975.

“Geoffrey Hendricks.” Flash Art, no. 60-61 (December 1975-February 1976), 48-49. [artist project]

Groh, Klaus. Art Impressions USA and Canada. Devon, England: Beau Geste Press, 1975.

Gugelberger, Georg M. “Ein interview mit Fluxus-West Direktor Ken Friedman.” Kunstforum International, 13 (February-April 1975): 176-188. [Interview]

Ken Friedman at the Slocumb Gallery. Marilyn Ekdahl Ravicz. Johnson City: Department of Art, East Tennessee State University, 1975. [exhibition monograph]

Kostelanetz, Richard, ed. Language and Structure in North America. Toronto: Kensingtion Arts Association, 1975.

Maciunas, George. Fluxnewsletter, April 1975. New York: Fluxus, 1975.

Maciunas, George. Fluxnewsletter, May 3, 1975. New York: Fluxus, 1975.

Open Drawers. Terry Reid and Graham Kerr, eds. Mildura, Australia: Mildura Art Centre, 1975. [exhibition catalogue]

Poinsot, Jean-Marc. “Fluxus: un art de l’événement.” Art Press (Paris), no. 15 (December-January 1975), 14-17.

Reid, Terry and G. Kerr, eds. Inch Art Issue. Auckland, New Zealand: Auckland University Student Association, 1975.

Robertson, Clive and Paul Woodrow. W.O.R.S.C.O.R.E.O.R.T. Devon, England: Beau Geste Press, 1975.

Sarenco, ed. Factotumbook I: Lotta Poetica 1971-1975. Brescia, Italy: Tipolito Maghina, 1975.

Spiralen und Progressionen. Lucerne, Switzerland: Kunstmuseum Luzern, 1975. [exhibition catalogue]

Sterckx, “Douze moins un ... ou onze plus un.” Cles pour les Arts (Belgium), vol. 7, no. 12 (December 1975), 41.

“The Top 100 e i Musei Ideali.” Flash Art 50-51 (December 1974-January 1975): 13.

Vautier, Ben. Textes Theoriques Tractes 1960 - 1975. Milano: Editore Giancarlo Politi.


1976

Allen, Jim and Wystan Curnow, eds. New Art: Some Recent New Zealand Sculpture and Post-Object Art. Auckland, New Zealand: Heinemann Educational Books, Ltd., 1976.

Art in the Mail. Nicholas Spill, ed. Palmerston North, New Zealand: Manawatu Art Gallery, 1976.

Artists’ Stamps and Stamp Images. 2nd edition, revised. James W. Felter. Burnaby, British Columbia: Simon Fraser Gallery, Simon Fraser University, 1976. [exhibition catalogue]

Block, René, ed. New York - Downtown Manhattan: SoHo. Berlin: Akadmie der Künste and Berliner Festwochen, 1976.

Boites. Jean-Marc Poinsot. Paris: Museum of Modern Art, 1976. [exhibition catalogue]

Crozier, Robin. Portraits. Sunderland, England: Sunderland Polytechnic, 1976.

Frank, Peter. “New York Fluxus.” New York - Downtown Manhattan: Soho. Berlin: Akademie der Kunst Festwochen, 1976: 151-179.

Friedman, Kenneth S. James Edwards . El Cajon, California: Grossmont College Art Gallery; La Mamelle Art Center (San Francisco); and the Everson Museum (Syracuse, New York), 1976. [exhibition catalogue]

Friedman, Kenneth Scott. Sociology of Art: An Aspect of the Social Reality of the Art World. Ph.D. Dissertation. Graduate School of Human Behavior,United States International University, San Diego, California, 1976. (Published by University Microfilms, Ann Arbor, Michigan, 1977. Abstract, Dissertation Abstracts International, vol. 38, no. 3, 1977)

Friedman, Ken and Georg M. Gugelberger. “The Stamp and Stamp Art.” International Rubber Stamp Exhibition. Carl Loeffler, ed. San Francisco: La Mamelle Arts Center, May 1976. [exhibition catalog]

Graevenitz, Antje van. “Then and Now: Performance Art in Holland.” Studio 192 (July 1976): 49-53.

Jappe, G “Performance in Germany: an Introduction.” Studio no. 192 (July 1976): 59-61.

Marcellis, B. “Europalia France 12 x 1.” Heute Kunst, no. 13 (February-April 1976), 13.

Shiomi, Mieko. Spatial Poem. Osaka, Japan: private publication, 1976.

Tot, Endre, ed. TOTal Questions by Tot. Berlin, West Germany: Edition Hundertmark, 1976.


1977

Contemporary Artists. Colin Naylor and Genesis Orridge, eds. London and New York: St. James Press and St. Martin’s Press, 1977. [biographical reference book]

Danzker, JoAnne Birnie. “Robert Filliou in conversation with Allan Kaprow.” Vanguard (Canada), vol. 6, no. 9 (December 1977-January 1978). [interview]

Dick Higgins Issue. (West Coast Poetry Review, vol. 5, no. 2, Issue 15, 1977). [special issue devoted to Dick Higgins]

Dimitijevic, Nena. “Berlin: New York in Europe and Downtown Manhattan: SoHo.” Studio International, vol. 193, no. 985 (January 1977), 25-26.

Friedman, Ken. “Notes on the History of the Alternative Press.” Lightworks, no. 8-9 (Winter 1977): 41-47.

Glossary of Art, Architecture and Design since 1945. John A. Walker, ed. London and Hamden, Connecticut: Clive Bingley and Linnet Books, 1977.

Groh, Klaus. Untersuchungen uber Erscheinungsformen und Communicationsverfahren des “Neuen Dadismus” in Nordamerika
und sein Padagogische Bedeutung. Oldenburg, Germany: Universitat Oldenburg, Fachberich II, 1977. [doctoral dissertation].

Herzogenrath, Wulf, ed. Nam June Paik: Werke 1946-1976 Musik Fluxus Video. Cologne: Kölnischer Kunstverein, 1977. [exhibition catalogue]

Higgins, Dick. “Ett exemplativistisk manifest.” Kalejdoskop (Sweden), no. 3-4, 1977, 53-59.

Klintberg, Bengt af. “Dick Higgins, intermediakonstnär.” Kalejdoskop (Sweden), no. 3-4, 1977, 51-52.

Lomholt, Niels. “Questionnaires.” North (Denmark), no. 3, 1977.

Pindell, Howardena. “Artist’s Periodicals - An Alternate Space.” Print Collector’s Newsletter, vol. 8, no. 4 (September-October 1977): 96-109, 120-121.

Somogyi, Gyorgi. “Ken Friedman es a ‘konceptmuveszet’ elmelete.” Muveszet (Budapest), 1977: 34-36.

Space Window. Tom Ockerse. Providence, Rhode Island: Tom Ockerse Editions and Rhode Island School of Design, 1977. [exhibition catalogue]

Würz, Hervé, ed. How We Met: or a Microdemystification. (AQ 16). Nice: Arrocaria Editions, 1977. [special magazine issue devoted to Fluxus]

Young, La Monte, ed. An Anthology. New York: Galerie Heiner Friedrich, 1977. [reprint of 2nd edition]


1978

Adlers, Bengt. Interviews of Internews. Åhus, Sweden: Kalejdoskop, 1978.

Anderson, Alexandra. “Artist’s Books Come of Age.” Art News, vol. 77, no. 3 (March 1978): 68.74.

Artists’ Books USA. Peter Frank and Martha Wilson. Washington, D.C. and New York, New York: Independent Curators Incorporated, 1978. [exhibition catalogue]

Baker’s Biographical Dictionary. Nicholas Slonimsky, ed. 6th edition. New York and London: G. Schirmer & Sons and Collier/Macmillan, 1978.

Canal [France], 21 (1978), “Special Fluxus.” [special magazine issue devoted to Fluxus]

Filliou, Robert. “The Propositions and Principles of Robert Filliou (Part One),” Humanistic Perspectives in Contemporary Art, no. 9 (September 1978), 6-8.

Filliou, Robert. “Transcript: The ‘Gong Show’ Tape,” Centerfold (April 1978), 27-30.

Flash Art. (Italy) 84-5 (1978) “Fluxus.” [special magazine issue devoted to Fluxus]

Herzogenrath, Wulf, ed. Tomas Schmit. Cologne: Kölnischer Kunstverein, 1978. [exhibition catalogue]

Higgins, Dick. A Dialectic of Centuries: Notes Towards a Theory of the New Arts. 2nd Edition. New York and Barton, Vermont: Printed Editions, 1978.

Hosier, Tom. “Dadazines.” Cascade (Colorado Springs, Colorado), vol. 1, no. 1 (March 1978): 6-7.

Kostelanetz, Richard. Esthetics Contemporary. New York: Prometheus Books, 1978.

Køpcke. Bent Petersen, ed. North 7-8 (1978). [special magazine issue devoted to Arthur Køpcke]

Mantua Mail 78. Romano Peli and Michaela Versari. Mantua, Italy: Assessorato Cultura: Comune di Mantova, 1978. [exhibition catalogue]

Martin, Henry. An Introduction to George Brecht’s Book of the Tumbler on Fire. Milan: Mult(h)ipla Edizione, 1978.

Miller, Joni K. and Lowry Thompson, eds. The Rubber Stamp Album. New York: Workman Publishing 1978.

Schilling, Jürgen. Aktionskunst: Identität von kunst und Leben? Lucern & Frankfurt: J.C. Bucher, 1978.


1979

Adriani, Gotz, Winfried Konnertz and Karin Thomas. Joseph Beuys Life and Works. Woodbury, New York: Barron’s, 1979. (tr. by Patricia Lech)

Aktie, werkelijkheid en fictie in de Kunst van de jaren 60 in Nederland. The Hague, Netherlands, and Rotterdam: Staatsuitgeverij and Museum Boymans-van Beuningen, 1979.

Beeren, Wim. Aktie, Werkelijkheid en Fictie in de Kunst Van Jaren ‘60 in Nederland. Rotterdam: Museum Boymans-van Beuningen, 1979.

Beeren, Wim. “Aktie, werkelijkheid en fictie in de Kunst van de jaren 60 in Nederland.” Museumjournaal (Amsterdam), vol. 24, no. 6 (November 1979), 257-260.

Cavaliere, B. “Flux-concert: The Kitchen, New York.” Flash Art/Heute Kunst 90-91 (June-July 1979): 49.

Fluxus International & Co. Gino DiMaggio and Ben Vautier, eds. Lyon: and Nice: Elac and Galerie d’Art Contemporain, 1979. [exhibition catalogue]

Frank, Peter. “Fluxus in New York.” Lightworks, Fall 1979: 29-36. [article in special issue devoted to Fluxus]

Friedman, Ken. “Fluxus.” Performance Art Magazine, vol. 1, no. 1 (1979): 16-20.

Goldberg, Roselee. Performance Live Art 1909 to the Present. New York: Harry N. Abrams, Inc., 1979.

Higgins, E.F., III. “Artist’s Stamps.” The Print Collector’s Newsletter, vol. 10, mo. 5 (November-December 1979): 154-155.

Johnson, Tom. “Paper Airplanes and Shattered Violins.” The Village Voice, April 9, 1979: 71-72.

Knowles, Alison. More by Alison Knowles. New York: Printed Editions, 1979.

Lightworks, vol. 11, no. 12 (Fall 1979). Burch, Charlton, ed. [special magazine issue devoted to Fluxus]

Mac Low, Jackson. The Pronouns - a Collection of 40 Dances - for the Dancers. Barrytown, New York: Station Hill Press, 1979.

“Pied Piper of a Moveable Feast.” ArtNews, vol. 78, no. 3 (March 1979), 14, 19-20.

Restany, Pierre. “George Maciunas: l’archiviste et le catalyseur d’une situation, celle des années ‘60.” Domus (Milan) no. 590 (Januar7 1979), 51-54.

Ruhé, Harry. Fluxus: the most radical and experimental art movement of the sixties. Amsterdam: ‘A,’ 1979.

Ruhé, Harry. “Muziek voor piano en hartige apjes: Fluxus in Nederland.” Museumjournaal (Amsterdam), vol. 24, no. 3 (May 1979), 106-110.

Sociology, Anthropology and Art. (The Dumb Ox, no. 8, 1979). Ken Friedman, guest editor. Los Angeles: Intermedia Press, 1979. [special magazine issue]

von Spreckelson, Elin. “Zen Vaudeville.” The Soho News, April 5, 1979: 6.

A V-TRE EXTRA. Geoffrey Hendricks, ed. no. 11 (March 24, 1979), New York: Fluxus. [special issue of the Fluxus V-Tre magazine devoted to George Maciunas]


1980

Auslander, Phili A History of Fluxus Performance. New York: Hunter College, 1980. [master’s thesis.]

Breder, Hans and Stephen C. Foster, eds. Intermedia. Iowa City: Corroboree, Gallery of New Concepts, University of Iowa, 1980.

Carrion, Ulises. Second Thoughts. Amsterdam: VOID Distributors, 1980.

Di Felice, Attanasio. “From Bernini to Beuys: Historical Sources of Performance and Time-Space Art.” National Arts Guide, vol. 2, no. 4 (July-August 1980): 24-32.

Friedman, Ken. “Eighties Dada.” Impressions, no. 26 (Fall 1980): 29-30.

Friedman, Ken. “Live.” Impressions, no. 24/25 (Spring 1980): 4-5.

Für Augen und Ohren: Von der Spieluhr zum akustischen Environment: Objekte Ionstallationen Performances. René Block, ed. Berlin: Akademie der Kunst, 1980. [exhibition catalogue]

Herzogenrath, Wulf. “Monuments, Memorials.” Kunstforum International, no. 1 (1980), 159-91.

Hughes, Patrick and George Brecht. Vicious Cirecles and Infinity: an Anthology of Paradoxes. Middlesex, England: Penguin Books, 1980.

Kostelanetz, Richard, ed. Scenarios: Scripts to Perform. Brooklyn, New York: Assembling Press, 1980.

Stuttgen, Johannes. “Fluxus und der ‘Erweiterte Kunstbegriff’.” Kunstmagazin, vol. 20, no. 2 (Aug 1980): 53-63.

Todorovic, Miroljub, guest editor. Delo: Mail Art, Mail Poetry (Belgrade, Yugoslavia), vol 26, no 2 (Feb 1980). [special issue]


1981

Artzien [Netherlands], 23-4 (1981) “AKI Fluxfest.” [special magazine issue devoted to Fluxus]

Battcock, Gregory, ed. Breaking the Sound Barrier: a Critical Anthology of the New Music. New York: E. Dutton, 1981.

Cohen, Ronny. “Art and Letters: Please Mr. Postman, Look and See... Is there a work of art in your bag for me?” Art News, vol. 80+, no. 10 (December 1981): 68-73.

A Contemporary Artists’ Book Exhibition. Peter Frank. Philadelphia, Pennsylvania: The Art Alliance, 1981. [exhibition catalogue]

Continuous Creation. London: Serpentine Gallery, 1981. [exhibition catalogue]

Fluxus: Aspekte eines Phänomens. Ursula Peters, ed. Wuppertal: Von der Heydt Museum, 1981. [exhibition catalogue]

Frank, Peter. “Postal Modernism: Artists’ Stamps and Stamp Images.” Art Express, vol. 1, no. 1 (May-June 1981): 18-25.

Friedman, Ken. “George Maciunas: In Memoriam.” High Performance, vol. 4, no. 1 (Issue 13, Spring 1981): 20. (Reprinted from Umbrella).

Maciunas, George. Diagram of Historical Development of Fluxus and Other 4 Dimensional, Aural, Optic, Olfactory, Epithelial and Tactile Art Forms. Åhus, Sweden: Kalejdoskop, 1981.

Mapped Art: Charts, Routes, Regions. Peter Frank. Washington, D.C.: Independent Curators Incorporated and Boulder: University of Colorado, 1981. [exhibition catalogue]

Portfluxus. (Factotumbook 28). Verona, Italy: Edizioni Factotum-art. 1981.

Truck, Fred. “Fred Truck.” High Performance, vol. 4, no. 2 (Summer 1981), 82.

Vostell Fluxus Zug. Frankfurt, Germany: Deutsche Bundesbahn (and seven other German organizations, 1981.

Young Fluxus. Edited by Ken Friedman and Peter Frank with Elizabeth Brown. New York: Artists Space, Inc., 1981 [exhibition catalogue]


1982

Aktionen, Vernissagen, Personen: Die Rheinische Kunstszene der 50er und 60er Jahre. Eine Fotodokumentation von Manfred Leve. Cologne: Rheinland-Verlag. [exhibition catalogue]

Anderson, Alexandra. “Who’s Afraid of Fluxus.” Portfolio, vol. 4, no. 1 (January-February 1982): 8.

Artists’ Books: A Survey 1960-1981. Inserted as an issue of Artery, vol. 5, no. 4 (Apr 1982): 2. Carol Heubner. [exhibition catalogue published in special magazine issue]

Black and White and Red All Over: Contemporary Eastern European Artists’ Books. Diana Augaitis. New York: Franklin Furnace, 1982. [exhibition catalogue]

Boyd, Don. Fifty Characteristics of Fluxus. New York: Fluxus West, 1982.

Fluxus, etc.: The Gilbert and Lila Silverman Collection. Jon Hendricks, ed. Bloomfield Hills, Michigan: Cranbrook Museum of Art, 1982. [exhibition catalogue]

Gever, Martha. “Pomp and Circumstances: the Coronation of Nam June Paik.” Afterimage, no. 10 (October 1982).

Giblin, Marie. “Young Fluxus Performance at Washington Project for the Arts.” New Art Examiner, vol. 10, no. 2 (November 1982): 8.

Graevenitz, A. von. “Living and transitory art.” in ‘60 ‘80: attitudes/concepts/images. E. de Wilde, et al., eds. Amsterdam: Stedelijk Museum, 1982. [article in exhibition catalogue]

Hanhardt, John. G., ed. Nam June Paik. New York: The Whitney Museum of American Art, 1982.

Higgins, Dick. Postface. reprinted in The Word and Beyond: Four Literary Cosmologists. New York, The Smith, 1982, 7-96.

Higgins, Dick. Selected Early Work 1955-64. Edited by Peter H. Schiller. Berlin: Edition Ars Viva!, 1982.

Lewis, Jo Ann. “Art in Flux.” The Washington (D.C.) Post, October 2, 1982: C-1, C-7.

Moore, Barbara. “George Maciunas: A Finger in Fluxus.” Artforum, vol. 21, no. 2 (Oct 1982): 38-45.

1962 Wiesbaden Fluxus 1982. René Block, ed. Wiesbaden (BRD): Harlekin Art; Wiesbaden: Museum Wiesbaden and Nassauischer Kunstverein; Kassel: Neue Galerie der Staatliche, 1982. [exhibition catalogue]


1983

Art Vivant . (Japan) 11 (1983) “Special report – Fluxus.” [special magazine issue devoted to Fluxus]

Bronson, A.A. and Peggy Gale, eds. Museums by Artists. Toronto: Art Metropole, 1983.

Brumfield, John. “Fluxus Revisited.” Artweek, October 15, 1983, 3.

Contemporary Artists. Muriel Emanuel, et al., eds. London and New York: St. James Press and St. Martin’s Press, 1983. [biographical reference book]

Fluxus, etc.: Gilbert and Lila Silverman Collection. Addenda I . Jon Hendricks, ed. New York: Ink &, 1983. [exhibition catalogue]

Fluxus, etc.: Gilbert and Lila Silverman Collection. Addenda TWO. Jon Hendricks, ed. Pasadena, CA: California Institute of Technology. Baxter Art Gallery, 1983. [exhibition catalogue]

Frank, Peter. Something Else Press, an annotated bibliography. Barrytown, New York: McPherson and Company, 1983.

Gever, Martha. “Art is an Excuse: an Interview with Felipe Ehrenberg.” Afterimage, vol. 10, no. 9 (April 1983): 12-18.

Glueck, Grace. “Some Roguish ‘Sixties Art Achieves Museum Status.” New York Times, February 13, 1983: H-35, H-37.

Higgins, Dick. Horizons: the Poetics and Theory of the Intermedia. Carbondale, Illinois: Southern Illinois University Press, 1983.

Higgins, Dick. Selected Early Works. Berlin: Edition Galerie Ars Nova, 1983.

KG’s Privat Pinakothek. Solothurn, Switzerland: Solothurn Kunstmuseum, 1983. [exhibition catalogue]

Larson, Kay. Going with the Flow.” New York Magazine, vol. 16, no. 10 (March 7, 1983): 104-105.

Levin, Kim. “Fluxtuations.” Village Voice, March 15, 1983, 104-105.

O’Dell, Kathy. “Fluxus on Display: Challenges to the Tenets of Ownershi” ArtCom, vol. 6, no. 1 (1983): 54-57.

Pedersen, Knud. Kampen mot Borgermusiken. Translated by Ann-Charlotte Weimarck. Kristianstad: Kalejdoskop Förlag, 1983.


1984

Banana, Anna. “Mail Art: Canada & Western U.S.A.”In Franklin Furnace Flue, vol. 4, no. 3/4 (Winter 1984).

Blam! The Explosion of Pop, Minimalism and Performance 1958-1964. Barbara Haskell, ed. New York: The Whitney Museum of American Art, 1984. [exhibition catalogue]

Crane, Michael and Mary Stofflett, eds. Correspondence Art: Sourcebook for the Network of International Postal Art Activity. San Francisco: Contemporary Arts Press, 1984.

Di Felice, Attanasio. “From Bernini to Beuys: Historical Sources of Performance and Time-Space Art.”The Art of Performance.
Gregory Battcock and Robert Nickas, eds. New York: E. Dutton, 1984.

The Eternal Network Presents Robert Filliou. Edited by Michael Erlhoff. Hannover: Spengel-Museum Hannover, 1984. [exhibition catalogue]

Frank, Peter and Ken Friedman. “Fluxus: A Post-Definitive History: Art Where Response Is the Heart of the Matter.” High Performance, #27 (1984): 56-61, 83.

Friedman, Ken. “Fluxus Performance.” The Art of Performance.
Gregory Battcock and Robert Nickas, eds. New York: E. Dutton, 1984.

Friedman, Ken. “Mail Art History: The Fluxus Factor.” In Franklin Furnace Flue, vol. 4, no. 3/4 (Winter 1984), Ronnie Cohen, guest editor. [Special magazine issue devoted to mail art published in conjunction with mail art exhibition held a Franklin Furnace.]

Higgins, Dick. Horizons: the Poetics and Theory of the Intermedia. Carbondale and Edwardsville: Southern Illinois University Press, 1984.

Lebeer, I. “Robert Filliou or the Art of Making Life More Interesting than Art.” Art Press (France) no. 86 (November 1984).

Loeffler, Carl. “Performance Facts Go Electronic: The Performance Data Bank Computerizes Fluxus.” Art Com, vol. 7, no. 1 (1984), 34-35.

Multiples und Objekte aus der Sammlung Ute und Michael Berger. Ulrich Meyer-Hausmann, ed. Wiesbaden: Museum Wiesbaden. [exhibition catalogue]

Seng Ts’an. Hsin Hsin Ming. English tanslation by George Brecht, French translation by Robert Filliou, German translation by Albrecht Fabri, calligraphy by Takako Saito. Brussels: Editions Lebeer Hossman, 1984.


1985

Festival of Fantastics. Marianne Bech, editor. Roskilde, Denmark: Galleri Sct. Agnes, 1985. [exhibition catalogue]

Friedman, Ken. Ken Friedman: Events. Edited with an introduction by Peter Frank. New York: Jaap Rietman, 1985.

Held, Jr, Jonathan. International Artist Cooperation: Mail Art Shows, 1970-1985. Dallas: Dallas Public Library, 1985. [chronology]

Klintberg, Bengt af. “Magisk Teater.” Kalejdoskop, no. 6, 1985.

Martin, Henry. “Fluxus Is It Fluxus?” Scanorama, Stockholm, May 1985.

Martin, Henry. “The Zetetics of Zealous Zambians.” Art News (September 1985): 125-126.

McEvilly, Thomas. “Fluxus, Etc. The Gilbert and Lila Silverman Fluxus Collection.” Artforum, vol. 23, no. 5 (January 1985), 94-95.

Moore, Barbara. Fluxus 1: A History of the Edition. New York: Reflux Editions, 1985.

Moore, Barbara and Jon Hendricks. “The Page as Alternative Space 1950 to 1969.” in Artists Books: a Critical Anthology and Sourcebook, edited by Joan Lyons. Albany, New York: Visual Studies Workshop Press, 1985, 87-95.

Nykopp, Lauri. “Fluxus ja ohikusemisen taito.” Taide (Helsinki, Finland), vol. 26, no. 5 (1985), 13-15.

Opus International. no. 98. [special issue devoted to Wolf Vostell]

Reconstructions: Avant-Garde Art in Japan 1945-1965. David Elliott and Kazu Kaido, eds. Oxford: Museum of Modern Art, 1985. [exhibition catalogue]

von Maur, Karin, ed. Von Klang der Bilder. Die Musik in der Kunst des 20. Jahrhunderts. München: Prestel Verlag, 1985.

Vostell, Wolf. “Fluxus.” Opus International (Paris), no. 98 (Summer 1985), 10-17.


1986

Alexander, Randolph. “Homage to Fluxus.” New Art Examiner (Chicago), vol. 14, no. 3, (November 1986): 64.

Brecht, George. Water Yam. Brussels: Lebeer Hossmann. [reprint of the 1964 Fluxus edition]

Fröhliche Wissenschaft: das Archiv Sohm . Thomas Kellein, ed. Stuttgart: Staatsgalerie Stuttgart, 1986. [exhibition catalogue]

Gavric, Zoran, et al., eds. Fluxus Izbor Tekstova. Belgrade: Museum of Contemporary Art, 1986. [book published in conjunction with exhibition]

Die 60er Jahre Kölns Weg Zur Kunstmetropole von Happening Zum Kunstmarkt. Wulf Herzogenrath and Gabriele Lueg, eds. Cologne: Kölnischer Kunstverein, 1986. [exhibition catalogue]

Luxe, calme et volutpé: aspects of French art 1966-1986. Scott Watson, Bernard Marcadé and JoAnne Birnie Danzker, eds. Vancouver, British Columbia: Vancouver Art Gallery, 1986. [exhibition catalogue]

Mac Low, Jackson. Representative Works 1938 - 1985. New York: Roof Books, 1986.

Martin, Henry. “Les fantaisies fantaisistes de Roskilde.” Inter (Quebec) no. 30 (Winter 1986), 5-11.

Miller, Larry. As If the Universe Were an Object: Selected Works: 1969-1985. Richmond, Virginia: Virginia Commonwealth University, 1986.

La parola totale: una tradizione futurista 1909-1986. Achille Bonito Oliva, Gabriella De Mila, Claudio Cerritelli, eds. Modena, Italy: Galleria Fonte d’Abisso, 1986. [exhibition catalogue]

“Taide: Fluxus.” Suuri Ensyklopedia. Helsinki, Finland: Helsingissä Kustannusoakeyhtiö Otava, 1986.


1987

Fluxus. Marco Meneguzzo, ed. Milano: Galleria Chisel, 1987. [exhibition catalogue]

Block, René. “Fluxus and Fluxism in Berlin 1964-1976.” (in) 1961 Berlinart 1987. Kynaston McShine, ed. New York and Munich: Museum of Modern Art and Prestel Verlag, 1987, 64-79. [book published in conjunction with exhibition ]

Fluxus and Friends: Selection from the Alternative Traditions in Contemporary Art Collection. Estera Milman. Iowa City: University of Iowa. Museum of Art, 1987. [exhibition catalogue]

Fluxus 25 Years. Dick Higgins, ed. Williamstown: Williams College Museum of Art, 1987. [exhibition catalogue]

Freibord. (Austria) 60 (4/87) “Fluxus: 25 years.” Gerhard Jaschke, ed. [special magazine issue devoted to Fluxus]

Friedman, Ken. Explaining Fluxus. Helsinki, Finland: Arabia Fluxus Workshop, 1987.

Friedman, Ken. “Fluxus.” Prisma Nytt, Nr. 21/22 1987, Høvikodden, Norway: Henie-Onstad Kunstsenter, 34-37.

Friedman, Ken, guest editor. White Walls: FLUXUS. Chicago: White Walls, Inc., 1987. [special magazine issue devoted to Fluxus]

Robertson, Clive. “In memoriam Robert Filliou, 1926-1987 - couvre-chef(s) d’oeuvres.” Fuse (Canada), vol. 11, no. 5 (April 1988).


1988

Altshuler, Bruce. “Fluxus Redux.” Arts Magazine, vol. 64, no. 1 (September 1988), 66-70.

Anderson, Simon. Reflux Action. Doctoral dissertation. London: Royal College of Art, 1988. [doctoral dissertation]

Decker, Edith. Paik Video. Cologne: DuMont Bucherverlag, 1988.

Fluxus - O del “principio d’indterminazione.” Caterina Gualco and Rosa Leonardi, eds. Genoa, Italy: Studio Leonardi and Unimedia, 1988.

Fluxus: Selections from the Gilbert and Lila Silverman Collection. Clive Phillpot and Jon Hendricks, eds. New York: Museum of Modern Art, 1988. [exhibition catalogue]

Foster, Stephen C., Estera Milman, and Ying-Ying Lai, eds. The World According to Dada. Taipei, Taiwan, Republic of China: Taipei Fine Arts Museum, 1988. [exhibition catalogue]

Frank, Peter. “Fluxus is Dead! Long Live Fluxism!” Contemporanea, vol. 1, no. 3 (September-October 1988), 75-77.

Freibord. (Austria) 64 (2/88) Gerhard Jaschke, ed. [special magazine issue devoted to Fluxus]

Gran Pavese: the Flag Project - 50 artists / 50 flags. Thérèse Legierse, Peter van Beveren and Ralph van Hessen. The Hague, the Netherlands: SDU Publishers, 1988. [exhibition catalogue and project book]

Home, Stuart. The Assault on Culture: Utopian Currents from Lettrisme to Class War. London: Aporia Press & Unpopular Books, 1988.

Kang, Taehi. Nam June Paik: Early Years (1958-1973). Tallahassee: Florida State University, 1988. [doctoral dissertation]

La riformulaziome quantica. Enrico Pedrini, ed. Florence: Galleria Vivita, 1988. [exhibition catalogue]

Moffitt, John F. Occultism in avant-garde art: the case of Joseph Beuys. Ann Arbor, Michigan: UMI Research Press, 1988.

Obalk, Hector. “La partie pour le tout.” Art Press (France), no. 123 (March 1988), 38-9.

Robert Filliou - 1926 -1987 - zum Gedächtnis. Hans-Werner Schmidt, ed. Dusseldorf: Städtische Kunsthalle, 1988. [exhibition catalogue]

Stationen der Moderne. Michael Bolle and Eva Zuchner, eds. Berlin: Berlinische Galerie, 1988. [exhibition catalogue]


1989

Anderson, Simon. “Flux Hunting.” Performance Magazine (UK), no. 58 (Summer 1989), 11-21.

Arthur Køpcke Arkivet, Aarhus Kunstmuseum. Edited by Birgitte Hesselund, Erik Nørager Pedersen and Jens Erik Sørensen. Aarhus, Danmark: Aarhus Kunstmuseums Forlag, 1989. [archive catalogue]

Belloni, Cristina. “Da Fluxus a fluxus.” Terzo Occhio (Bologna), vol. 15, no. 2 (June 1989), 41-42.

Belloni, Cristina. “Fluxus: gli eventi.” Terzo Occhio (Bologna), vol. 15, no. 3 (September 1989), 48-49.

Block, Ursula and Micheal Glasmeier, eds. Broken Music - Artists’ Recordworks. Berlin: DAAD Galerie and Gelbe Musik, 1989. [exhibition catalogue]

Flux Med: Robert Watts Obra Grafica 1987. Madrid and Palma: Joan Guaita, 1989. [exhibition catalogue]

Friedman, Ken. “Jean Dupuy: Alchimiste.” Halle Sud (Geneva) , no. 22, 4-1989: 26-27. [in French translation by Françoise Senger]

Happenings + Fluxus. Charles Dreyfus, ed. Paris: Galerie 1900-2000 and Galerie du Génie, 1989. [exhibition catalogue]

Hendricks, Jon. Fluxus Codex. New York: Harry N. Abrams, Inc. 1989.

Higgins, Dick. “Five myths of postmodernism.” Art Papers, vol. 13, no. 1 (January-February 1989), 11-19.

Johnston, Jill. “A Fluxus Funeral.” Art in America, vol. 77, no. 3 (March 1989), 42-47.

La Frenais, Rob. “Notes from Offshore Europe.” High Performance issue 47, vol. 12, no. 3 (Fall 1989): 12-13.

Liu, Catherine. “Fluxus: Selections from the Gilbert and Lila Silverman Fluxus Collection.” Artforum, vol. 27, no. 9 (May 1989), 152-153.

McShine, Kynaston, ed. New York and Munich: The Museum of Modern Art and Prestel Verlag, 1987. [book published in conjunction with exhibition]

Sayre, Henry M. The Object of Performance. Chicago: The University of Chicago Press, 1989.

Sondheim, Alan. “Decomposition: the transamerican avant-garde.” Art Papers, vol. 13, no. 3 (May-June 1989), 25-31.

Theater of the Object: Reconstructions, Re-creations, Reconsiderations, 1958-1972. Edited with an introduction by Peter Frank. New York: The Alternative Museum, 1989. [exhibition catalogue]


1990

Bech, Marianne. Det indre rum, det nære rum, det ydre rum. Magisterkonferensspeciale, Københavns Universitet, 1990.

Belloni, Cristina. “Fluxus: L’Europa.” Terzo Occhio (Bologna), vol. 15, no. 1 (March 1990), 42-43.

Block, René, ed. Joe Jones: Music Machines from the Sixties until Now. Berlin: Rainer Verlag and DAAD, 1990.

Blom, Ina. “A Tourist’s Guide to Fluxus and the Most Modern Music of All Times.” (essay in) Fluxus. Høvikodden, Norway: Høvikodden Kunstsenter.

Botic, Leonida. “Strategije Fluxusa: Razgovor sa Ken Friedmanom.” (part 1) Student (Belgrade, Yugoslavia) , February 1990: 43-45.

Botic, Leonida. “Strategije Fluxusa: Razgovor sa Ken Friedmanom.” (part 2) Student (Belgrade, Yugoslavia) , March 1990: 44-45.

Daniels, Dieter. “Fluxus at La Biennale di Venezia: It was More Authentic than it was Supposed to Be.” Lund Art Press, Vol. 1, No. 4, 1990, Lund, Sweden: Lund University School of Architecture, p 312-315.

Daniels, Dieter. “Taking Fluxus Around for a Drive.” Flash Art, no. 150 (January-February 1990), 148.

Faust, Gretchen. “Fluxus & Co.” Arts Magazine, vol. 64, no. 7 (March 1990), 119.

Fluxus. Edited with an essay by Ina Blom. Høvikodden, Norway: Høvikodden Kunstsenter (Henie-Onstad Kunstsenter). [exhibition checklist]

Fluxus! Nicholas Zurbrugg, Nicholas Tsoutas and Francesco Conz, eds. Brisbane: Institute of Modern Art, 1990. [exhibition catalogue]

Fluxus S.Q.R. Alesandro Masi, ed. Roma: Galleria Fontanella Borghese, 1990. [exhibition catalogue]

Fluxus Subjektiv. Ursula Krinzinger, ed. Wien: Galerie Krinzinger, 1990. [exhibition catalogue]

Frank, Peter. “Fluxus Codex by Jon Hendricks.” (book review). Artweek, February 9, 1990, 28.

Frank, Peter. “Ubi Fluxus ibi Motus 1990-1962.” High Performance no. 52 (vol. 13, no. 4) (Winter 1990), 17.

Freibord: Zeitschrift für Literatur und Kunst. (Austria) 73 (3/90). Gerhard Jaschke, ed. [special magazine issue devoted to Fluxus]

Friedman, Ken. “Ben Vautier: Apostle of Truth.” (“Apôtre de la verité”). Halle Sud (Geneva) , no. 23, 1-1990: 34-35. [in English original with a French translation by Françoise Senger]

Friedman, Ken, ed. Fluxus Performance Workbook. [El Djarida, special issue] Trondheim, 1990: El Djarida.

Hahn, Otto. Daniel Spoerri. Paris: Flammarion, 1990.

Higgins, Dick. “A Very Selective Bibliography of Fluxus.” Lund Art Press, Vol. 1, No. 4, 1990: School of Architecture, University of Lund, 47-50.

Laszlo, Jean-Noel. “Ken Friedman on Stamps in Fluxus.” InTimbre d’artiste. Toulon: Espace Peiresc, 1990, 5-12. [interview]

Mail Art. Christine Jones, ed. Vienna: Kunskanzlei, 1990. [exhibition catalogue in postcard portfolio]

Moore, Barbara. “Vintage Fluxus.” Ear: Magazine of New Music, vol. 15, no. 3 (May 1990), 20-24.

Ono, Yoko. To See the Skies. Milan: Fondazione Mudima, 1990.

The Readymade Boomerang: Certain Relations in 20th Century Art. René Block, ed. Sydney, Australia: Eighth Biennale of Sydney, 1990.

Ruinard, Elizabeth. “Fluxus!” Eyeline: East Coast Contemporary Visual Arts (Australia), no. 13 (Spring-Summer 1990), 20-22.

Sellem, Jean. “On Fluxus: Interview.” Lund Art Press, Vol. 1, No. 4, 1990: School of Architecture, University of Lund, 268-288. [interview]

Sellem, Jean. “Why Fluxus?” (in) Lund Art Press, Vol. 1, No. 4, 1990: School of Architecture, University of Lund, 262-267.

Tsoutas, Nicholas. “Francesco Conz Interviewed.” Eyeline: East Coast Contemporary Visual Arts (Australia), no. 13 (Spring-Summer 1990), 23-25.

Ubi Fluxus, ibi Motus. Achille Bonito Oliva, Gino Di Maggio, Gianni Sassi, eds. Venice and Milano: Biennale of Venice and Mazzotta Editore, 1990. [exhibition catalogue]

Yoko Ono: En Trance, [ed. Jon Hendricks and Birgitte Hesselund]. Randers, Danmark: Randers Kunstmuseum, 1990.

Zurbrugg, Nicholas. “ ‘A Spirit of Large Goals’ - Dada and Fluxus at Two Speeds.” In Fluxus! Zurbrugg, Nicholas, Francesco Conz and Nicholas Tsoutas, eds. Brisbane, Australia: Institute of Modern Art, 1990, 28-34. [exhibition catalogue]


1991

Ballade (No. 1, 1991), Oslo: Universitetsforlaget. [special magazine issue devoted to Fluxus]

Conzen-Meairs, Ina, ed. Lieber Meister S: Hanns Sohm sum siebzigsten Geburtstag. Stuttgart: Staatsgalerie Stuttgart, 1991.

Daniel Spoerri from A to Z. Gino DiMaggio, ed. Milan: Fondazione Mudima, 1991. [exhibition catalogue]

Denson, G. Roger. “Fluxus Closing In.” Flash Art, vol. 24, no. 157 (March-April 1991), 133.

DeVuono, frances. “Fluxus - Closing In.” Art News, vol. 90, no. 1 (January 1991), 95.

Faust, Gretchen. “Fluxus Closing In.” Arts Magazine, vol. 65, no. 5 (January 1991), 95.

Fluxartisti. Cristina Morato, ed. Verona: La Giarina, 1991. [exhibition catalogue]

FluxAttitudes. (Heckling Catalogue.) Cornelia Lauf and Susan Hapgood, eds. Ghent, Belgium: Imschoot Uitgevers, 1991. [exhibition catalogue]

Fluxus + Concept Art. Sammlung Beck: Wilhelm-Hack-Museum. Roland Scotti, ed. Ludwigshafen/Rhein: Wilhelm-Hack-Museum, 1991. [exhibition catalogue]

Fluxus - Ein Nachruf zu Lebzeiten. Edited by Dieter Daniels (Kunstforum International, Bd. 115). Köln: September-October 1991. [special magazine issue devoted to Fluxus]

Fluxus Research.. Jean Sellem, ed. Lund Art Press, Vol. 2, No. 2, 1991: School of Architecture, University of Lund. [special issue devoted to Fluxus]

Friedman, Ken. “George Maciunas: Expanded Arts Diagram,” In Contemporary Masterworks. Chicago and London: St. James Press, 1991.

Harris, Melissa. “Fluxus Closing In.” Artforum vol. 29, no. 5 (January 1991), 128-129.

Haskell, Barbara and John G. Hanhardt. Yoko Ono: Arias and Objects. Salt Lake City: Peregrine Smith, 1991.

Held, John Jr. Mail Art: an Annotated Bibliography. Metuchen, New Jersey and London: The Scarecrow Press, Inc., 1991.

Jones, Alan. “One Among Many: Dick Higgins and Something Else Press.” Arts Magazine, December 1991: 21-22.

Kamperelic, Dobrica. “Fluxus Pokret: Destructio Unius - Generatio Alternius.” Dalje (Sarajevo, Bosnia) no. 33-34 (1991): 37-44.

Paik, Nam June. “2 x mini giants.” Artforum, vol. 29, no. 6 (March 1991), 90-91.

Pop Art. Marco Livingston, ed. London: Royal Academy of Arts, 1991. [exhibition catalogue]

Ruhé, Harry. Multiples, etc. Amsterdam: ‘A,’ 1991.

Smith, Owen. George Maciunas and a History of Fluxus (or) the Art Movement that Never Was. Seattle: University of Washington, 1991. [doctoral dissertation]

Smith, Valerie. “King of the Dwarfs - A Conversation with Milan Knizak.” Arts Magazine, May 1991, 60-64.

Under the Influence of Fluxus. Wayne Baerwaldt, ed. Winnipeg, Canada: Plug In Inc., 1991. [exhibition catalogue]

Williams, Emmett. My Life in Flux and Vice Versa. Stiuttgart, London and New York: Edition Hansjörg Mayer and Thames & Hudson. 1991.


1992

Allen, R. F. Fluxus and literature. Visible Language v. 26 (Winter/Spring 1992) 69-78

Block, R. Fluxus in Wiesbaden 1992 [summary of interview with Johan Pijnappel]. Kunst & Museumjournaal v. 4 no. 1 (1992) 14-20

Corbett, J. “Anything must go” [London Musicians' Collective, Festival of Experimental Music]. New Art Examiner v. 20 (November 1992) 12-14

Cotter, Holland. “Three Shows Celebrate the Spirit of Fluxus.” The New York Times, Friday, October 23, 1992: C19.

Decter, J. {Fluxus, a conceptual country: Franklin Furnace Archive, Inc; Fluxattitudes: New Museum of Contemporary Art, New York}. Artforum International v. 31 (December 1992) 91-2

Dress & Photo Performance: Tivoli, Copenhagen, May 7th, 1992. Francesco Conz, ed. Verona, Italy: Editions Francesco Conz, 1992, unpaginated. [portfolio project, 8 sepia tone photographs]

Droles D’Envois: Mail Art - Art Postal. Lerouge, Evelyne, ed. Compiègne, France: Centre d’animation culturelle de Compiègne et du Valois, 1992. [exhibition catalogue]
“Exhibition check lists” [Fluxus, a conceptual country: Madison Art Center, Wisconsin; traveling exhibit]. Visible Language v. 26 (Winter/Spring 1992) 230-41
Flux Flag. György Galantaí, ed. Budapest: Budpesti Öszi Fesztivál, 1992. [exhibition catalogue]

Fluxus: A Conceptual Country, Estera Milman, guest editor. [Visible Language, vol. 26, nos. 1/2.] Providence: Rhode Island School of Design, 1992. [Special issue devoted to Fluxus, also exhibition catalogue]

Fluxus Da Capo: 1962 Wiesbaden 1992. René Block, ed. Wiesbaden: Nassauischer Kunstverein, Kulturamt der Landeshauptstadt Wiesbaden and Harlekin Art/Fluxeum, 1992.
“Fluxus, flux on: it all started a 17th of January, one million years ago” [3 article special section]. Flash Art (International Edition) no. 167 (November/December 1992) 53-9
“Fluxus island in de-coll/age ocean (Art Reproduction).” Visible Language v. 26 (Winter/Spring 1992) 16
Fluxus: the Development of an Antidote. Mats B. Stockholm: Galleri Stenström, 1992. [exhibition catalogue]

Fluxus Virus, 1962-1992. Ken Friedman, ed. Köln: Verlag Schüppenhauer, 1992. [Exhibition catalogue]
Foster, S. C. “Historical design and social purpose: a note on the relationship of Fluxus to modernism.” Visible Language v. 26 (Winter/Spring 1992) 35-44
Frank, Fluxus fallout: New York in the wake of the new sensibility. Visible Language v. 26 (Winter/Spring 1992) 211-20
Friedman, Ken. Fluxus 1992. Budapest: Artpool. Hungarian translation by Barbarczy Eszter.

Friedman, Ken. “The Head through the Wall. The René Block Collection at Statens Museum for Kunst, Copenhagen.” Siksi. 3/92. Helsinki: Nordiskt konstcentrum, Sveaborg, 52-53.

Friedman, Ken. “Occupying the Border Zone,” Eye, vol. 2, No. 7, 1992, 50.

Friedman, Ken. “Vytautas Landsbergis and Fluxus.” Siksi. 1/92. Helsinki: Nordiskt konstcentrum, Sveaborg, 33-34.

Friedman, K., et. al., “Fluxus: global community, human dimensions [the development of Fluxus as a community of individuals].” Visible Language v. 26 (Winter/Spring 1992) 155-79

Gomez, E. M. “All is flux” [various shows and exhibits throughout the United States and Europe in celebration of the 30th anniversary of the group Fluxus]. Art News v. 91 (September 1992) 16

Higgins, D. “Two sides of a coin: Fluxus and the Something Else Press.” Visible Language v. 26 (Winter/Spring 1992) 143-53

Kissick, John. “Fluxus Deluxe.” New Art Examiner, vol. 19, no. 5 (January 1992) 41-42.

Kontova, H., et. al., “John M Armleder: a gentleman in the Fluxus tradition”[interview]. Flash Art (International Edition) no. 166 (October 1992) 63-9

Hovedet Gennem Muren.. Elisabeth Delin Hansen and René Block, eds. Copenhagen: The Royal Museum of Fine Art, 1992. [exhibition catalogue]

Michaelides, Lee. “The Stuff of Art,” Dartmouth Alumni Magazine, vol. 85, no. 2, 24-31.

Martin, Henry. Fluxers. Bolzano, Italy: Museion - Museum of Modern Art, 1992. [exhibition catalogue]

Milman, E. “Road shows, street events, and Fluxus people; a conversation with Alison Knowles [interview].” Visible Language v. 26 (Winter/Spring 1992) 97-107

“Portraits of a Fluxus artist as hors-d'oeuvre d'art (Art Reproduction).” Kunst & Museumjournaal v. 4 no. 1 (1992) 17

Rian, J. “Fluxus, flux on: it all started a 17th of January, one million years ago.” Flash Art (International Edition) no. 167 (November/December 1992) 53+

Rose, Matthew. “Fluxus Redux.” Connoisseur (London), no. 222 (January 1992) 94.

Saper, C. “Fluxacademy: from intermedia to interactive education [a Fluxus based experimental pedagogy].” Visible Language v. 26 (Winter/Spring 1992) 79-96

Sellem, Jean. “The Head through the Wall: Ken Friedman Discusses the René Block Collection in Copenhagen.” (in) Lund Art Press, Vol. 2, No. 3, 1992: School of Architecture, University of Lund, 178-193. [interview]

Smith, O. “Proto-Fluxus in the United States 1959-1961: the establishment of a like-minded community of artists.” Visible Language v. 26 (Winter/Spring 1992) 45-58

Thea, R. “ Fluxus, ein Nachruf zu Lebzeiten (Book Review). “Domus no. 734 (January 1992) xv-xvi

Träger, Wolfgang. “Fluxus - Cologne/Wiesbaden,” Art Position, Nr. 21, 4. Jhg., September/Oktober ‘92: 12-13.

Triggs, Teal. “Flux type,” Eye, vol. 2, no. 7, 1992: 46-55.

Under the Influence of Fluxus. Wayne Baerwaldt, ed. Winnipeg, Canada: Plug In, Inc., 1992. [exhibition catalogue]

Wix, Gabriele. “Die Kunst der Einfachen Geste,” art - Das Kunstmagazine, Nr. 11, November 1992, 38-49.


1993

Blom, Ina. The Intermedia Dynamic: An Aspect of Fluxus. Oslo, Norway: Institutt for Arkeologi, Kunsthistorie og Numismatikk, Universitet i Oslo, 1993. [magister dissertation.]

Buchholz, Daniel and Gregorio Magnani. International Index of Multiples from Duchamp to the Present. Tokyo and Köln: Spiral/Wacoal Art Center and Verlag der Buchhandlung Walther König, 1993.

Doris, David T. Zen Vaudeville: A Medi(t)ation in the Margins of Fluxus. New York, New York: Department of Art History, Hunter College, 1993. [m-aster’s thesis.]

Felter, James Warren. “Artiststamps.” (in) Laszlo, Jean-Noël and Chantal Reynaud, eds. Timbres d’Artistes. Paris: Editions Musée de la Poste, 1993, 189-195 (French translation by Marie-Antoinette Biesel and Marie-Jeanne Mesguen) and 233-239 (English original).

Fluxus and After. Anne Kirker, ed. Brisbane, Australia: Queensland Art Gallery, 1993. [exhibition catalogue]

Fluxus: Today and Yesterday. Johan Pijnappel, guest editor. [Art and Design Magazine, no. 28]. London, 1993: Academy Group, Ltd. [special issue devoted to Fluxus]

Frank, Peter. “Modernisme Postal: Timbres d’artistes et images de timbres.” (in) Laszlo, Jean-Noël and Chantal Reynaud, eds. Timbres d’Artistes. Paris: Editions Musée de la Poste, 1993, 177-188 (French translation by Marie-Antoinette Biesel and Marie-Jeanne Mesguen) and 222-232 (English original).

Friedman, Ken, ed. Fluxus and Friends: Mailing List and Telephone Directory. Oslo, Norway: Friedman Associates, 1993. [30th Anniversary Fluxlist]

Gray, John. Action Art. A Bibliography of Artists’ Performance from Futurism to Fluxus and Beyond. Westport, Conn,: Greenwood Press, 1993.

Halem, Ludo van. “Fluxpost! Fluxus en mail art.” (in) Als kunst bestempeld: mail art inernational. Edited by Ben Koevoets. ‘s-Gravenhage, The Netherlands: 1993, p 16-24, 41-42. [exhibition catalogue]

Henie-Onstad Kunstsenter: Jubileumsgaver. Per Hovdenakk, ed. Høvikodden, Norway: Henie-Onstad Kunstsenter, 1993. [exhibition catalogue]

Higgins, H. B. “Totally excellent” [Excellent '92, celebrating 30 years of Fluxus activity: Fluxeum, Wiesbaden-Erbenheim, Germany; and other recent exhibits]. New Art Examiner v. 20 (May 1993) 32-5+
In the Spirit of Fluxus: Published on the Occasion of the Exhibition. Minneapolis: Walker Art Center, 1993

Jones, K. “Forget about it” [FluxAttitudes: Hallwalls Contemporary Arts Center, Buffalo; traveling exhibit]. Afterimage v. 20 (February 1993) 16-17

Jenkins, Janet, ed. In the Spirit of Fluxus. Minneapolis, Minnesota: Walker Art Center, 1993. [book published in conjunction with exhibition]

Kim-Cheon, Hong Hee, ed. The S(e)oul of Fluxus. Seoul, Korea: A. International, Ltd., 1993. [book published in conjunction with festival and exhibition]

Klintberg, B. A. “Fluxus games and contemporary folklore: on the non-individual character of Fluxus art.” Konsthistorisk Tidskrift v. 62 no. 2 (1993) 115-25

Laszlo, Jean-Noel. “Interview: Ken Friedman.” (in) Laszlo, Jean-Noël and Chantal Reynaud, eds. Timbres d’Artistes. Paris: Editions Musée de la Poste, 1993, 18-21 (French translation by Marie-Antoinette Biesel and Marie-Jeanne Mesguen) and 216-221 (English original).

Laszlo, Jean-Noel. “Le Timbre c’est le message.” (in) Laszlo, Jean-Noël and Chantal Reynaud, eds. Timbres d’Artistes. Paris: Editions Musée de la Poste, 1993, 13-16 (French original) and 211-215 (English translation by Dan Golemski and Robert Ruscoe).

Nam June Paik. eine DATA base. Klaus Bussmann and Florian Matzner, eds. Venice: Biennale of Venice, German Pavilion and Edition Cantz, 1993.

Princenthal, N. “Artist's book beat “[What part did Fluxus take in the development of artists' books? interview with six contemporary artists]. The Print Collector's Newsletter v. 23 (January/February 1993) 235-7
Silberman, R. “In the spirit of Fluxus” [Walker Art Center, Minneapolis; exhibit]. The Burlington Magazine v. 135 (June 1993) 432-3

Silver, Kenneth E. “Nam June Paik: Video’s Body.” Art in America, November 1993,100-107.

Writings about John Cage. Ann Arbor: University of Michigan Press, 1993.



1994

Anderson, S. “Surflux: more Fluxus than you can shake a stick at “[Fluxus Festival Chicago, 1993; various locations]. New Art Examiner v. 21 (March 1994) 14-16

Apple, J. “Stomp: a generational advance of a Fluxus idea.” High Performance v. 17 (Winter 1994) 54-5

Brentano, Robyn; Georgia, Olivia; Mills, Kathleen (editor) Outside the Frame: Performance and the Object: A Survey History of Performance Art in the USA Since 1950. Cleveland, Ohio: Cleveland Center for Contemporary Art, 1994.

Coulter-Smith, G., et. al., Fluxus [Queensland Art Gallery, Brisbane, Australia]. Art and Australia v. 32 (Spring 1994) 150-1
“Fluxshoe shuffle” [Fluxbritannica, aspects of the Fluxus movement 1962-73: Tate Gallery, London]. Art Monthly no. 176 (May 1994) 15-17

Hapgood, Susan. Neo-Dada: Redefining Art, 1958-62. New York: American Federation of Arts in association with Universe Publishing, 1994.


Higgins, Hannah. Enversioning Fluxus. Chicago: Department of Art History, University of Chicago, 1994. [Doctoral Dissertation.]

Higgins, H. B. “Critical refluxtions” [Recollections of Fluxus performances]. New Art Examiner v. 21 (March 1994) 17-23

Johnston, J. “Wedding in Denmark” [author's marriage becomes part of a Fluxus event]. Art in America v. 82 (June 1994) 75-6

Johnston, J. “Flux acts“[In the spirit of Fluxus: Walker Art Center, Minneapolis; traveling exhibit]. Art in America v. 82 (June 1994) 70-4+

Krainak, “Fluxus as (un)architecture [architectural ideas of George Maciunas].” New Art Examiner v. 21 (March 1994) 24-5

Munroe, Alexandra. Japanese Art After 1945: Scream Against the Sky. New York: H.N. Abrams, 1994.

O'Neill, R. “In the spirit of Fluxus” [Walker Art Center, Minneapolis; traveling exhibit]. Art Journal v. 53 (Spring 1994) 90-1+

Van Proyen, M. “All ways at once” [In the spirit of Fluxus: San Francisco Museum of Modern Art; traveling exhibit]. Artweek v. 25 (June 23 1994) 14

1995
Blistene, B. “Fluxtuat nec mergitur” [L'esprit de Fluxus: MAC, Galleries Contemporaines des Musees de Marseille; traveling exhibit]. Connaissance des Arts no. 516 (April 1995) 110-17

Domino, C. “Quand Fluxus dynamitait l'art” [Musee d'Art Contemporain, Marseilles; Fluxus et les nouveaux realistes: Kunsthalle, Hamburg; exhibits]. Beaux Arts Magazine no. 134 (May 1995) 102-8

Kellein, Thomas. Fluxus. London; New York, N.Y.: Thames and Hudson, 1995.

Puvogel, R. „Wollt Ihr das totale Leben?” [Fluxus und Agit-Pop der 60er Jahre in Aachen: Neuer Aachener Kunstverein]. Kunstforum International no. 130 (May/July 1995) 350-2

Sanford, Mariellen R., Happenings and Other Acts. London; New York: Routledge, 1995.

1996


Shaw-Miller, S. “@Concerts of everyday living': Cage, Fluxus and Barthes, interdisciplinarity and inter-media events. “ Art History v. 19 (March 1996) 1-25

1997
Bolton, W. “Haphazard Documentation” [Yoko Ono and Fluxus: Royal Festival Hall, London; exhibit]. Make, the magazine of women's art no. 75 (April/May 1997) 30

Bonami, F. Jasansky and Polak [Nature, Jokes, Fluxus and Abstract; photography series]. Flash Art (International Edition) no. 195 (Summer 1997) 125

Conzen, Ina. Art Games. Germany: Staatsgalerie Stuttgart, 1997.

Shaw-Miller, S., reviewer In the spirit of Fluxus (Book Review); Fluxus (Book Review); Sound works (Book Review). Oxford Art Journal v. 20 no. 1 (1997) 105-9

Smith, Owen. "Fluxus, Experimentalism and the End of Language," K. David Jackson, Eric Vos and Johanna Drucker, eds., Experimental, Visual, Concrete: Avant-Garde Poetry Since 1960 (Avant Garde Critical Studies Vol. 10), Amsterdam/Atlanta, GA: Rodopi Press, 1997

Williams, Emmett; Noel, Ann (editors), Mr. Fluxus: A Collective Portrait of George Maciunas 1931-1978. London: Thames & Hudson, 1997.


1998
Butler, R. "Francesco Conz and the intermedia avant-garde". Art/Text no. 61 (May/July 1998) 94-5

Fricke, C. “Takako Saito: ACDKLMNQRUVYZ.” Kunstforum International no. 139 (December 1997/March 1998) 301-19

Friedman, Ken. The Fluxus Reader. Chicester, West Sussex; New York: Academy Editions, 1998.

Gibbs, M. “Mr Fluxus” (Book Review). Art Monthly no. 216 (May 1998) 52-3

Nixon, M. “After images” [Yoko Ono and Fluxus; Inside the visible; exhibits]. October (Cambridge, Mass.) no. 83 (Winter 1998) 114-30

Smith, Owen F. Fluxus: The History of an Attitude. San Diego, CA: San Diego State University Press, 1998.

Vautier, Ben and Guy Schraenen. Ben Vautier: Bucher, Zeitschriften, Einladungen, Plakate. Bemen: Neues Museum Weserburg Bremen, 1998


1999
Auslander, “Fluxus art-amusement: the music of the future?” Art Papers v. 23 no. 2 (March/April 1999) 30-5

Beckman, E., et. al., Off limits (Book Review); Mr. Fluxus (Book Review); The Fluxus reader (Book Review). Art Journal v. 58 no. 3 (Fall 1999) 100-2

Bucholh, B.H.D. Experiments in the Everyday: Allan Kaprow and Robert Watts, Events, Objects, Documents. New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999.

Glew, A. The Fluxus reader (Book Review). Art Monthly no. 227 (June 1999) 50-1

Marter, Joan, Ed. Off Limits: Rutgers University and the Avant-Garde, 1957-1963. Newark, N.J.: Newark Museum; New Brunswick, N.J.: Rutgers University Press, 1999

Patterson, Ben. The Black and White File. Wiesbaden: Ben Patterson, 1999.

Poggenpohl, S. H., reviewer The Fluxus reader (Book Review). Visible Language v. 33 no. 3 (1999) 309-12

Ruhe, Harry. 25 Fluxus Stories. Amsterdam: Tuja Books, 1999

Seagull, S. “George Maciunas DBA/Fluxhouse Co-operative, Inc or Soho: a new utopia” [exhibit]. Art Monthly no. 228 (July/August 1999) 32-3

Smith, Owen. "A Pilgrim’s Progress," Alternative Traditions in Contemporary Arts: Subjugated Knowledge and the Balance of Power, Iowa: University of Iowa Museum of Art, 1999

2000
Kaplan, J. A. “Flux generations” [roundtable discussion]. Art Journal v. 59 no. 2 (Summer 2000) 6-17

Leydier, R. “Rudolf Wehrung: fluxus redux.” Art Press no. 253 (January 2000) 34-7

Munroe, Alexandra et.al. Yes Yoko Ono. New York: Harry N. Abrams, 2000

Puvogel, R. “Nam June Paik--Fluxus/Video: Kunsthalle Bremen.” Kunstforum International no. 149 (January/March 2000) 348-50

Santi, Tiziano and Roberto Melchiori et al. Vanished Paths: Crises of Representation and Destruction in the Arts from the 1950s to the End of the Century. Milan: Charta, 2000

Schwerfel, H. “Nam Jun Paik: ecran total.” Beaux Arts Magazine no. 191 (April 2000) 76-83

Strecker, J. „Fluxus in Germany 1962-1994.” Art and Australia v. 38 no. 1 (2000) 60-2

2001
Hersh, A. “All You Need Is Art.” Art & Antiques v. 24 no. 11 (December 2001) 96

Martel, Richard. Art Action. Paris:Éditions Intervention (2001).

Saper, Craig J. Networked Art. Minneapolis/London: University of Minnesota Press, 2001

Thompson, Chris. “Responsible Idiocy and Fluxus Ethics:_Robert Filliou and Emmanuel Levinas.” a–r–c, issue 5, July 2001, http://a-r-c.gold.ac.uk/a-r-c_Five/texts/5_responsible01.html

2002
Blain, F. A. “Au Plateau, Robert Filliou et Comparses” [Exhibit]. Beaux Arts Magazine no. 216 (May 2002) 36

Dyment, D. “Maura Doyle's Art Services.” C Magazine no. 74 (Summer 2002) 46

Friedman, Ken. And Owen Smith, eds. Fluxus Performance Workbook. Performance Research e-Publication, volume 7, 2002

Friedman, Ken. And Owen Smith, eds. “On Fluxus,” Performance Research. Vol.7, No.3 (September 2002)

Hendricks, Jon. What’s Fluxus? What’s Not! Why. Detroit, Michigan: The Gilbert ad Lisa Silverman Fluxus Collection Foundation, 2002.

Higgins, Hannah. Fluxus Experience. Berkeley: University of California Press, 2002.

Huther, C. „40 Jahre: Fluxus und die Folgen.“ Kunstforum International no. 162
(November/December 2002) 156-75

Miller, Simon. Visible Deeds of Music: Art and Music from Wagner to Cage. NewHaven, Conn: Yale University Press, 2002.

Platow, R. North Adams, Massachusetts. Art Papers v. 26 no. 2 (March/April 2002) 4-5

Esner, Rachel, ed. FLUXUS UND FREUNDE. Die Sammlung Maria und Walter Schnepel. Bremen: Bremen Neues Museum Weserburg, 2002

Solimano, Sandra. The Fluxus Constellation. Genova: Neos Edizioni, 2002.

Thompson, C. “Museum of Art the University of Maine/Orono: Betwixt and between: the life and work of Fluxus artist Dick Higgins.” Art New England v. 23 no. 4 (June/July 2002) 31

2003

Davidge, M. {Fluxus Experience}. Parachute no. 112 (October/November/December 2003) 135-6

Donguy, J. “Les 40 ans de Fluxus 1962-2002: Ecole normale superieure” [Exhibit]. Art Press no. 286 (January 2003) 85-6

Hendricks, Geoffrey, ed. Critical Mass, Happenings, Fluxus, performance, intermedia and Rutgers University 1958-1972.

Mason Gross Art Galleries, Rutgers, and Mead Art Gallery, Amherst, 2003

Herstatt, C. “Arthur Kopcke: Art is Work is Art: Hamburger Kunsthalle”; Kunstverein Dusseldorf; Kunsthalle Fridericianum, Kassel [Exhibit]. Kunstforum International no. 167 (November/December 2003) 272-3

McCall, A. “Line Describing a Cone and Related Films.” October (Cambridge, Mass.) no. 103 (Winter 2003) 42-62

Moren, Lisa. Intermedia. University of Maryland, Baltimore County (Baltimore, Maryland) 2003.


2004


Anderson, S. “What's Fluxus? What's not!” Art Monthly no. 273 (February 2004) 41-2

Bagenal, C. “Art Interactive/Cambridge, MA: Do-It-Yourself Fluxus” [Exhibit]. Art New England v. 25 no. 3 (April/May 2004) 24

Behrens, R. R. {Fluxus Experience}. Leonardo v. 37 no. 2 (2004) 162

Gibbs, M. “Fluxus Recidivists.” Art Monthly no. 273 (February 2004) 44

Kelein, Thomas Nyman, Michael Robinson, Julia. George Brecht Works from 1959-1973. New York: Gagosian Gallery, 2004

Lussac, Olivier. Happening et Fluxus; Polyexpressivite et Pratique Concrete des Arts. Paris: Harmattan, 2004

Medina, C. “Architecture and efficiency: George Maciunas and the economy of art.” Res (Cambridge, Mass.) no. 45 (Spring 2004) 273-84

Perloff, M. “Fluxier-than-Thou.” Modernism - Modernity v. 11 no. 3 (September 2004) 581-7

Robinson, J. “The Sculpture of Indeterminacy: Alison Knowles's Beans and Variations.” Art Journal v. 63 no. 4 (Winter 2004) 96-115

Schwarze, D. „Fluxus und die Probleme der Zeit: Arthur Kopcke: Was ist das?” apexart New York: Kunsthalle Fridericianum Kassel [Exhibit]. Kunstforum International no. 170 (May/June 2004) 280-3

Vergne, “The Bride, Revived by Her Bachelors, on a Dissecting Table, between a Sewing Machine and an Umbrella.” Parkett v. 70 (2004) 46-55


2005

Danto, Arthur Coleman. Unnatural Wonders: Essays from the Gap Between Art and Life. New York: Farrar, Straus and Giroux, 2005

Friedman, Ken and Owen Smith, eds. Fluxus and Legacy, Visible Language, Volume 3, No. 3 (Fall 2005)

Kotz, L. “Language Between Performance and Photography.” October (Cambridge, Mass.) no. 111 (Winter 2005) 3-21

Schmidt-Burkhardt, Astrit. Maciunas' Learning Machine from Art History to a Chronology of Fluxus. Gilbert and Lila Silverman Fluxus Collection, 2005

Smith, Owen. “Fluxus; Experiments in Community, Collaboration and Connectivity,” At a Distance: Precursors to Art and Activism on the Internet, Cambridge: MIT, 2005




Appendix 1


Fluxus Documentation: Major Collections

Readers will find examples of the documents and publications cited in this bibliography in these public and private collections.

Alternative Traditions in Contemporary Art
University Library and University Art Museum
University of Iowa
Iowa City, Iowa
USA

Archiv Sohm
Stadtsgalerie Stuttgart
Stuttgart, Germany

Archivio Conz
Verona, Italy

Emily Harvey Foundation
New York, New York and Venice, Italy

Fluxus West Collection
Fluxus West in England Papers
Tate Gallery Archives
The Tate Gallery
London, England

Franklin Furnace Archive
The Museum of Modern Art
New York
USA

The Gilbert and Lila Silverman Fluxus Foundation
Detroit, Michigan and New York, New York
USA

Jean Brown Archive
Getty Center for the History of the Arts and Humanities
Los Angeles, California
USA

Library
Walker Art Center
Minneapolis, Minnesota
USA

Artpool
Budapest
Hungary



Fluxus Objects: Major Collections

This is a list of public and private collections with extensive holdings of original Fluxus works, objects by the different artists. This includes the Fluxus multiples edited, designed, and published by George Maciunas, the Something Else Press books and multiples edited, designed, and published by Dick Higgins, and multiples published by such Fluxus-related publishers as Edition Block, Edition Hundertmark, Vice Versand, or Editions Conz.

Alternative Traditions in Contemporary Art
University Library and University Art Museum
University of Iowa
Iowa City, Iowa
USA

Archiv Sohm
Stadtsgalerie Stuttgart
Stuttgart, Germany

Archivio Conz
Verona, Italy

Emily Harvey Foundation
New York, New York and Venice, Italy

Fluxus Collection
Henie Onstad Art Center
Høvikodden, Norway

Fluxus Collection
Tate Gallery Archives Collection
The Tate Gallery
London, England

Fluxus Collection
Walker Art Center
Minneapolis, Minnesota
USA

George Maciunas Memorial Collection
The Hood Museum of Art
Dartmouth College
Hanover, New Hampshire
USA

The Gilbert and Lila Silverman Fluxus Foundation
Detroit, Michigan and New York, New York
USA

Jean Brown Archive
Getty Center for the History of the Arts and Humanities
Los Angeles, California
USA



Fluxus Objects: Smaller Collections

Fluxus Room
Nordjyllands Kunstmuseum
Aalborg
Denmark

Kjarvalstadir
The Municipal Museums of Reykjavik
Reykjavik
Iceland

Madison Art Center
Madison, Wisconsin
USA

Museum of Contemporary Art
Belgrade
Yugoslavia

Pori Art Museum
Pori
Finland

The Køpcke Archive
Randers Kunstmuseum
Randers
Denmark

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