Histories and Theories of Intermedia

This Blog contains materials and resources for the University of Maine Intermedia MFA Program

Thursday, February 18, 2010

Sentences on Conceptual Writing, Kenneth Goldsmith

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I will refer to the kind of writing in which I am involved as uncreative writing. In uncreative writing the idea or concept is the most imp...
Sunday, February 14, 2010

Low Tech/High Concept: Global Events Shift Ideas about Technology and Art, Jenny Hager

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Low-tech/High Concept outlines a current shift in ideas related to technology and art. This shift is attributed to recent world events and...
Friday, February 12, 2010

THE ANARCHIST ART OF JOHN CAGE, Richard Kostelanetz

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In surveying his work in music and theater, in poetry and visual art, I have noticed that the American John Cage favored a structure that i...
Wednesday, February 10, 2010

Development of the Artist's Book, Peter D. Verheyen

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Written by Peter D. Verheyen for FIA 610, Department of Fine Arts, Syracuse University April, 1998 What is a book? An artist's book? A ...
1 comment:
Tuesday, February 2, 2010

Excerpts From Speculation (1967-1970), Mel Bochner

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For a variety of reasons I do not like the term “conceptual art.” Connotations of an easy dichotomy with perception are obvious and inappro...
Monday, February 1, 2010

Some Statements on Sound Poetry, Bob Cobbing

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From Sound Poetry: A Catalogue, edited by Steve McCaffery and bpNichol, Underwich Editions, Toronto, 1978 Leonardo da Vinci asked the poet ...
Tuesday, January 26, 2010

John Cage at Seventy: An Interview, Stephen Montague

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From "American Music" Summer 1985 John Cage hardly needs an introduction. Nineteen eighty-two was the year of his seventieth birt...
2 comments:
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