Friday, February 12, 2010

THE ANARCHIST ART OF JOHN CAGE, Richard Kostelanetz

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In surveying his work in music and theater, in poetry and visual art, I have noticed that the American John Cage favored a structure that i...
Wednesday, February 10, 2010

Development of the Artist's Book, Peter D. Verheyen

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Written by Peter D. Verheyen for FIA 610, Department of Fine Arts, Syracuse University April, 1998 What is a book? An artist's book? A ...
1 comment:
Tuesday, February 2, 2010

Excerpts From Speculation (1967-1970), Mel Bochner

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For a variety of reasons I do not like the term “conceptual art.” Connotations of an easy dichotomy with perception are obvious and inappro...
Monday, February 1, 2010

Some Statements on Sound Poetry, Bob Cobbing

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From Sound Poetry: A Catalogue, edited by Steve McCaffery and bpNichol, Underwich Editions, Toronto, 1978 Leonardo da Vinci asked the poet ...
Tuesday, January 26, 2010

John Cage at Seventy: An Interview, Stephen Montague

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From "American Music" Summer 1985 John Cage hardly needs an introduction. Nineteen eighty-two was the year of his seventieth birt...
2 comments:
Monday, January 25, 2010

STATEMENT ON INTERMEDIA, Dick Higins

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Art is one of the ways that people communicate. It is difficult for me to imagine a serious person attacking any means of communication per...
Saturday, January 23, 2010

The Hybrid Book: Intersection and Intermedia, Alisa Fox, Dorothy Krause, and Shawn K. Simmons

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A report by Alisa Fox, Dorothy Krause, and Shawn K. Simmons. The word hybrid is defined by Webster’s as “anything derived from heterogeneou...