Histories and Theories of Intermedia

This Blog contains materials and resources for the University of Maine Intermedia MFA Program

Friday, September 26, 2008

Interview with Christian Marclay, Jonathan Seliger

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Jonathan Seliger: You perform music and use sound as a subject for your art; were you a musician or a visual artist first? Christian Marclay...
Wednesday, September 24, 2008

After Sherrie Levine, Jeanne Siegel

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A Promethean thief or an immoralist confiscator, Sherrie Levine challenges art at its matrix of model and originality. For the past eight y...
Monday, September 22, 2008

Meaningless Work, Walter De Maria

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Meaningless work is obviously the most important and significant art form today. The aesthetic feeling given by meaningless work can not be...
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Sunday, September 21, 2008

For an Engaged Knowledge [ Pour un savoir engage ] by Pierre Bourdieu

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If it’s important, not to say necessary, that a certain number of independent researchers associate themselves with social movements, it’s b...
Saturday, September 20, 2008

History of Experimental Music in the United States, John Cage

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Once when Daisetz Teitaro Suzuki was giving a talk at Columbia University he mentioned the name of a Chinese monk who had figured in the hi...
Friday, September 19, 2008

Collaborative Art and Relational Experiences in Public Space, Jordi Claramone, Javier Rodrigo (La fiambrera Obrera)

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What’s all this about collaborative art? Conventional public art tends to be defined as an aesthetic object by its relationship to a physica...
Thursday, September 18, 2008

INTERVIEW: MIKE FIGGIS & JEFF WALL

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Some months ago contemporary introduced the artist and the filmmaker to each other electronically. What follows is the fruit of a week of e...
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