Histories and Theories of Intermedia

(2009) Like many artists, I exhibit my work so that other people can experience it. Most artists also use an exhibition as a way to sell th...

→ Continued from “Art and Thingness, Part Two: Thingification” in issue 15. In Hans Haacke’s pieces Broken R.M… and Baudrichard’s Ecstasy f...

→ Continued from “Art and Thingness, Part One: Breton’s Ball, Duchamp’s Carrot” in issue 13. In a text written in response to the upheavals...

In modern art, the increasing resemblance of art objects to everyday objects raised the threat of eroding of any real difference between wo...

The last hundred years of work indicate that it’s demonstrably impossible to destroy or dematerialize Art, which, like it or not, can only ...

1. By generic objects we don’t mean objects that affect a kind of generic quality—brilliantly commonsensical and ordinary objects that come ...

Joanna Fiduccia examines the refusal of meaning as artistic strategy in the work of Eric Duyckaerts, Jimmy Raskin, Benoît Maire and Falke P...